Wednesday, February 11, 2026

MAN WHO LAUGHS PHOTO-FEATURE


This photo-feature appeared in the April 1928 issue of the Hollywood fan magazine Picture Play. It includes shots of Jack's magnificent makeup of Conrad Veidt's Gwynplaine. Also note the photo of Olga Baclanova. A few years later, she would star as the character Cleopatra in Tod Browning's Freaks (1928). Horror fans may also remember that Mary Philbin later played Christine DaaĆ© in Universal's The Phantom of the Opera in 1925.

The images are credited to "Freulich", most likely Roman Freulich.



Thursday, February 5, 2026

LIZARD'S LEG AND OWLET'S WING


Aired on October 26, 1962, "Lizard's Leg and Owlet's Wing" cast Boris Karloff, Lon Chaney, Jr. and Peter Lorre in a special Halloween episode of Route 66. Chaney appeared as The Hunchback of Notre Dame and the Wolfman (for the final time). Chaney's grandson, Ron made an appearance as the little boy in the opening scene. The three actors appeared as themselves on the show.

This episode also marked the last time Karloff would play the Frankenstein monster on film. The photo above shows makeup artist Ben Lane making up Karloff using a reference photo from Son of Frankenstein. Lane was assisted by Abe Haberman and Maurice Seiderman.

Lane had a busy career as the makeup artist on many TV shows. Seiderman was uncredited for his work on Citizen Kane. He also worked on the genre films The Monster Maker, Bride of the Monster and They Saved Hitler's Brain. Haberman was Pierce's assistant for ten years during the 1930s and 1940s. He learned a lot of his trade from Jack and applied what he learned in later makeups, including those for the Route 66 show and The Munsters.

Pierce did not work on this program as he was busy on another TV show, Mr. Ed.

Monday, January 26, 2026

"To My Friend Jack Pierce"


French-American actor Charles Boyer signed a three picture contract with Universal in January 1942. During that period he had numerous occasions to sit in Jack Pierce's makeup chair. The photo shown above with the message, "To my friend Jack Pierce" is just one of the many photos like this where actors and actresses thanked Pierce for his work.

Note that the photo is copyrighted 1941. It's likely he was negotiating his contract with Universal late in the year and this publicity portrait taken during that time.

Friday, January 9, 2026

A BIT OF FUN ON THE SET OF TOWER OF LONDON


Above is a shot of Jack shaving Boris Karloff's head for his role of Mord in Universal's historical drama, The Tower of London (1939). The image below shows Karloff returning the favor!

Thursday, January 1, 2026

OGRE OF THE MAKE-UP BOX


Happy New Year, everyone! Welcome to a new page in the chronicle of the life and career of Jack P. Pierce, makeup artist extraordinaire. Let's dive in, shall we?

The clipping shown above is from The New York Times, Sunday March 31, 1935. It includes the article, "Ogre of the Make-Up Box", written about two months after Werewolf of London began shooting. The author also includes info on The Bride of Frankenstein that had just been completed.
“The Frankenstein of Universal City has just finished his biggest job to date and is well advanced on his next assignment of turning men into monsters. This practitioner of occult arts, before whom strong actors tremble is Jack Pierce, half man, half plasterer. After making two monsters a day (male and female created he them) over a stretch of thirty-two days for ‘The Bride of Frankenstein’ which James Whale has just finished, he is now filling the hair-restorative companies with consternation by growing hair on the palm of Henry Hull for the ‘Werewolf of London’. He is now on location at Vasquez Rocks, California, a weird desert tract of jagged cliffs which look like geological formations on Mars.
“Pierce is the centre [sic] of attention for all the players and staff. A wry, irascible-looking chap, with black mustache and steel-rimmed spectacles, he looks precisely like a German scientist. Especially is this so, when, attired in his white surgeon’s tunic [actually a barber’s smock; Pierce was a professionally-trained barber] worn over a sweater, he is busy doing unprecedented things to the visage of homo [sic] sapiens.”