Monday, July 1, 2019
CREDIT WHERE CREDIT IS DUE
In this LIFE magazine special edition that was published last year, Jack gets a full page recognition as the creator of the monster's makeup. He is shown with his assistant, Otto Lederer. Interesting that he was also named as the "designer" of Dracula.
Sunday, April 14, 2019
THE MAN WHO LAUGHS 4K BLU-RAY COMING IN JUNE!
This highly-anticipated 2-disc Blu-ray edition of Universal's silent classic, The Man Who Laughs is due in June from Flicker Alley.
The film showcases the next major makeup by Jack Pierce after his masterful work on Jacques Lerner for The Monkey Talks (1927).
The remastered 4K version of this film is sure to delight fans of vintage silent films, as well as the work of the legendary Jack Pierce.
From the distributor:
Flicker Alley, in partnership with Universal Pictures, are proud to present Universal Pictures new 4K restoration of the 1928 silent classic, The Man Who Laughs, accompanied by a newly recorded orchestral score by the Berklee School of Music. Based on the novel by Victor Hugo, the story centers on the extraordinary adventures of Gwynplaine (Conrad Veidt), whose wide and mirthless grin inspired DC Comics legendary Batman villain, the Joker. Veidt's character has become well known to most cinephiles. Orphaned as a child, Gwynplaine is punished by the king for his father s transgressions, by having face carved into a hideous grin. Disfigured and alone, Gwynplaine rescues a blind girl Dea (Mary Philbin), and both end up starring in a sideshow where they fall in love.
Because she cannot see, Dea does not know about her lover s tormented grin.
Masterfully directed by Paul Leni, The Man Who Laughs marks Leni s penultimate work. Having grown up in Germany during the era of Expressionism, Leni embraces haunting characters, twisted sets, harsh angles, and deep shadows. Heralded as one of the best American silents emulating German Expressionism, The Man Who Laughs presents Leni at his creative directorial peak. Originally released silent, the film was enough of a hit for Universal in 1928 that the studio released it with a synched musical score using the Movietone sound-on-film process, presented here as a secondary audio track.
Part of Universal Pictures ongoing silent restoration initiative, The Man Who Laughs honors the studio's rich film history that has spanned more than a century. The primary source element for this restoration was a 35mm composite fine grain from the Universal Pictures vault, created in 1954 from the nitrate original camera negative. NBCUniversal's restoration team was able to stabilize and deflicker the film as well as repair scratches, warps, and dirt. The 4K digital restoration was completed by NBCUniversal StudioPost.
BONUS MATERIALS INCLUDE:
- Paul Leni and The Man Who Laughs: A visual essay by film historian and author, John Soister, on Leni s work at Universal during this period.
- Celebrating Universal s Masterpiece: A new booklet essay written by renowned film historian and author, Kevin Brownlow.
- Notes On the New Score: A short essay by composer Sonia Coronado of the Berklee School of Music on their new score for The Man Who Laughs.
- Optional Secondary Audio Track: In addition to the new Berklee School of Music score, the film s original 1928 Movietone score presented here as a secondary audio track.
- Rare Image Gallery: A slide show presentation of vintage marketing materials, trade ads, memorabilia, and more from The Man Who Laughs, courtesy of the Reel Heroes of Film.
Saturday, March 23, 2019
JACK PIERCE, UNCREDITED
Now playing on Netflix is the documentary entitled, "The Strange Life of Dr. Frankenstein". Released in conjunction with the 200th Anniversary of Mary Shelly's novel, numerous scenes depict the screen versions of her story.
French author and screenwriter Jean-Claude Carrière comments of the original Frankenstein monster's makeup (as seen in the screen caps below). Unfortunately, Jack Pierce is not credited with creating the "mask" that Carrière so passionately describes. All one has to do is scroll through the countless movies that Pierce participated in and received the same lack of screen credit. It wouldn't be until a decade later when his name appeared in THE WOLF MAN, the first screen credit he received for his many Universal monster creations.
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